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Ich bin einverstanden.
"But the truth is everyone battles the war of ideas, however it’s easier if you immerse yourself in a world you have built and understand. You need not look too far for inspiration this way, you own this world, this in my case, is the ‘Aberrant Necropolis,’" according to our ever-lovely muse, Ellen Rogers. Get stunned by her photographs once again after the break.
The second half of this roll was shot by my little sister in our home town, with a roll of redscale and an LC-A I gave her as gifts. So although these aren't really my pictures, I'm ok about taking a little credit.
The first half of this roll was taken in Sydney on an original LC-A I bought on eBay. Here I am, wasting film —self portrait in a lobby mirror with both my LC-As after a visit to the lomo doctor.
it was february the 11th. 11 year.
after a day spent at swimming pool. our son still can play the unseen violin..
it was the last shot of the rool. I think, the most successful..
just like this.
hanibale
First attempt with colour infrared — a walk through Fitzroy Gardens on a sunny day. Yellow Hoya filter, 400 ISO, mostly at an aperture of 16 to 22, and shutter speed around 1/125.
Didn´t get the film on the developing reel. After trying for more then 20 times and swetting a lot, the film got very sticky in the changing bag ..so i put it into the tank without the reel..
the problem is that this film is handcut and it has not exactly the correct width! 9 shots destroyed :-( ..think i´ll bring the next one to the lab!
..scanned w whitebalance
I haven't been all that jazzed about the green colour cast I get when processing the Lomo slide films as C41, so I decided to try processing this roll as E6, thinking I'd just get regular slides. Surprisingly, it seems that even using E6 is a type of cross processing, just an altogether different one. I really like the red and gold overtones I get when the film is processed this way, so I'm going to develop all my Lomo slide films as E6 from now on.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
You can find more of my work on my homepage:
http://www.bkspicture.com/ _________________________________________
Also have a blog where I write about my photo experience, tips and trick etc. . . . . . . . .
http://www.blog.bkspicture.com/ _________________________________________
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I ran this through the Black Slim Devil first then through the Spinner 360. I'm pretty sure the film was Lomo 400CN but not positive...there's been a lot of rolls lately. :)
