Wir und unsere Partner verwenden Technologien wie Cookies, um dich zu erkennen und dir mehr von dem zu zeigen, was dir gefällt. Bitte lies unsere Datenschutzrichtlinie , um mehr zu erfahren. Durch die Nutzung dieser Website stimmst du der Nutzung dieser Technologien zu.
Ich bin einverstanden.
Last summer I exposed that expired Kodak Advantix 100 on both sides (EBS). First I turned the film into a redscale and double exposed with a Lomo LC-A set on 25 ASA each time. Then I turned it back to it's normal side and gave it another round in my Yashica FR-1 set on 200 ASA. This year I learned to understand my scanner-settings a bit better and so I got able to scan it :D
Last summer I exposed that expired Kodak Advantix 100 on both sides (EBS). First I turned the film into a redscale and double exposed with a Lomo LC-A set on 25 ASA each time. Then I turned it back to it's normal side and gave it another round in my Yashica FR-1 set on 200 ASA. This year I learned to understand my scanner-settings a bit better and so I got able to scan it :D
Last summer I exposed that expired Kodak Advantix 100 on both sides (EBS). First I turned the film into a redscale and double exposed with a Lomo LC-A set on 25 ASA each time. Then I turned it back to it's normal side and gave it another round in my Yashica FR-1 set on 200 ASA. This year I learned to understand my scanner-settings a bit better and so I got able to scan it :D
Last summer I exposed that expired Kodak Advantix 100 on both sides (EBS). First I turned the film into a redscale and double exposed with a Lomo LC-A set on 25 ASA each time. Then I turned it back to it's normal side and gave it another round in my Yashica FR-1 set on 200 ASA. This year I learned to understand my scanner-settings a bit better and so I got able to scan it :D
I used instant film in some old cameras, and it worked! It was fun and the photos came out pretty cool. I put the film one sheet at a time into each camera, in total darkness. Closed up the cameras then took them out to shoot. After shooting the photos, took the cameras back into the dark, then ran each photo through a hand-cranked pasta machine! It worked surprisingly well, and it has been a fun little project. Plus it's much more instant gratification than the usual developing process. Not sure how I ended up with some of them upside down; guess I wasn't paying attention in the dark.
