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Ich bin einverstanden.
I shot this photo using Ilfocolor Retro 400 35mm film that I harvested from an ILFORD ILFOCOLOR RAPID RETRO disposable camera. <a href="https://ilford.com/product/rapid-retro-camera/" rel="noreferrer nofollow">ilford.com/product/rapid-retro-camera/</a> This was my first time using this film. I decided to pull it from the single-use camera and load it into my Canon EOS 1 SLR so that I would have complete control over the exposure settings. I'm very impressed with the results. This is unique colour film and it's capable of reproducing bright, bold and warm colours with just the right amount of grain. I does have a retro look to it, it reminds me of the 80's. Canon EOS 1 SLR with Ilfocolour Retro 400 35mm film. Home developed with Cinestill CS-41 C-41 developer. Epson V-850 scan. You can see my full review of this film on my website www.markklotz.com
I know 2020 saw live Pride Parades cancelled almost everywhere due to Covid-19, so here is the rest of the 2019 Vancouver Pride Parade from August 4, 2019. Kodak Ektar, expired in 2012, home processed in Arista C-41.
The local #cornfields are now in full effect and the sun was shining. So it seemed like a good time to break out a fast lens and test some of the new Lomography #Fantôme #Kino film that arrived recently. Knowing that the light would be harsh, and that the film is "quite" contrasty, I threw a reflector in to the bag along with my #lightmeter and #Canon7s (with the 50 f1.4 attached) The corn is easily above head-height and the back-lit leaves look great, so I figured they'd make a good setting for some test #portraits. The #reflector was indeed useful and we bounced some fill light to reduce the contrast on Lauren's face. We also figured out that the diffuser part of the 5-in-1 reflector makes for a great shadow screen ;) As a test roll; Lomography Fantôme Kino is wild! Even the processed film is like nothing I've ever seen. The clear film base really shows how much #contrast you will get when the images are scanned (printed too I assume) Normally, I bump up the contrast in my images to get to a look I like, not with this stuff! Apart from a little dust spotting the only images I had to work in any way were those where the lens had flared in the sun. Any other adjustments were minor highlight and shadow stuff (ie: the sort of work you'd do in a split grade print ;) So yes, I'm impressed, #ISO8 is a challenge to get your head around at first, but using the usual tricks for shooting in hard light get you images that stand out on screen as well on the fresh negatives :)
