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Ich bin einverstanden.
One of my lucky failures. Two pictures I both wanted, now they are both there in a hybrid. A sun-trail of a tree in Rapperswil (was supposed to be shot on Ilford Delta) and a star trail experiment that likely would have been exposed correctly if not for the double exposure. But I love what Velvia did with the color of the sky and the crazy vignette of the Yamasaki Congo lens.
I am playing around with masks and experimental photography these days. This one is a nice addition to my abstract series, a 14 times multiple exposure of eyes, girl, drawing. A stressful job, especially changing the mask for each exposure and then adjusting the height of the camera to get the eyes becoming bigger. At a certain moment even the exposure has to be adjusted due to bellows being fully extended.
I am happy about this one, as Imago Positive Paper is so hard to expose properly. My girl Dudu with one of her spiral artworks. As a background I just hung up her Furoshiki, a handmade silk scarf from Japan. Natural overcast light through the window, 2 second exposure. All those hours of Yoga finally pay off, she can sit really still.
On a stroll through the Taminaschlucht I found these wonderful rocks, flat and with little texture. I carried a few back home and chiseled them into 4x5 size as good as I could to fit the plate holder. Then coated in liquid emulsion and shot in my Chamonix.
One of the rejects of a new series called 'Under the Sun'. It is a series of objects and nudes, shot on 4x5 Washi film, framed in trilogies. More to come soon.
aka. Silver Wood No II. The RBM2 emulsion is definitely not made for extreme contrast scenarios, The difference between the umbrella and the dress was maybe 3 stops, however the umbrella is rendered almost white while the dress is almost black. As a sucker of crazy contrast I can live with it, but it's definitely borderline.
I'm on a roll, the last couple of days I am working with wood as a medium and it is very rewarding. This time I got a bit more conceptual and worked with my muse and Chinese Geisha Du Yan on another one. I only applied emulsion on a streak in the middle with one strong brush stroke and let it dry for a very short time to prevent too much of the emulsion to sink in. Love the results and can't wait to work on some more tomorrow.
